Acoustic Dinner Time - Ener and Roberto Chigi + Carton, art exhibition of Paul Spalluto 
TTevents City and have Time Acoustic Dinner Time , the review Music designed for a recreational club with a difference. A menu full of flavors and sounds, a new way to experience the city in a warm place accogliente.Il buffet opens at 20:30, concert starts at 21.30 exhaustively
Thursday, March 26: ENER & ROBERTO CHIGI + "Carton" art exhibition by Paul Spalluto
Ener:
to "Sus" is a musical journey that sees her dressed as singer after studying classical pianist initiated by very small. During a cross-cultural exchange in France organized by Melting Potes Music, Nimes, collaborating with musicians of various nationalities, to her the task of composing the piece: "The wind of september, which sees the collaboration of French and Portuguese guitar, a Romanian violinist and she the piano / percussion and voice. He works with young filmmakers to create short films Salento.
Roberto Chigi:
Arachnee Together the group toured in several plays, both in Italy and in Europe. Expand your knowledge of music and percussion with the multi-percussionist Ninad Massimo Carrano. He is a member in 2004, 2005 and 2006, the Orchestra of the popular Night of Taranto, which participate in the concert Melpignano, Rome, Bologna and Reggio Emilia. Participates, clear set in May 2008 to Richard Lagana, Arnaldo Vacca and other tambourine Salento Salento Ensemble Drums Castrignanò Antonio for the concert in San Siro Negramaro.
Paul Shoulders:
The act and every gesture of Paul Shoulders and creative in his own experience quell'immergersi quotidiana.Il attempt to patch up the pieces and then try to create new matches between the ' moment of pure intuition of a photo shoot with the variety of phenomena of reality, with his painting. Both times Paul is trying to build the reasons for its existence, such as organizing frames for the implementation a shift of languages \u200b\u200bin a retrieval system, its art contemporanea.La voltage is aware of the thread that unites all of its operations. Always wanting, striving, demanding a "here" and "now", almost exasperated by a close eye, too involved to capture emotions, almost spellbound by the time-depths from which he tries to emerge. Involved as its spirals, capturing the moments, expanding at a distance infinita.Paolo lives in a sort of perpetual vigil, as to escape the sleep of falsehood, and agrees to be challenged by life, shaping all the tools that not only symbolic values, but the problem of humanity that sometimes occurs with chilling estraneità.Ed so here's his work with the faces of warriors epic evoking the obsessions of ghilgamesh rivers mingling color signs that lead to the triumph of color, who do not attend the impotence of fear, but which turn into open spaces . From here the intelligible connection with the past, present and future unexpectedly prolific already conquered by the infinite and mysterious history of man and art. This is a "presence" as a picture of Paul is not reproducible because it abandoned a forgetful sequence / existence, but that raises the question as an observation as an object, a place, a face turn into a zoom on the soul.
